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NY Gypsy Fest Day 7: Tamara Jokic & Frank London’s Klezmer Brass ft. Ismail Lumanovski

Wednesday, November 19 2025 at 6:30 PM

Doors: 6:30pm

7:00pm – Tamara Jokić Quartet

9:00pm – Closing Party with Frank London’s Klezmer Brass All-Stars & Ismail Lumanovski

The final night begins with the luminous voice of Tamara Jokić, a rising star whose quartet blends Sephardic, Balkan, and Mediterranean traditions with contemporary flair. To close the festival, Frank London’s Klezmer Brass All-Stars team up with clarinet firebrand Ismail Lumanovski for a raucous, joyful closing party. A celebratory finale that embodies the festival’s spirit: honoring tradition, igniting community, and leaving the dance floor overflowing with joy.

 

To find out more about the festival and the schedule: https://nygypsyfest.com/


20 dollar table minimum per person is required.
21+
Tickets are non-refundable.

$20 in advance
$30 at door

Description

Tamara Jokić

Tamara Jokić is a world music artist born in Serbia, now based in New York. Through singing and songwriting, her art has taken her around the world, from European opera houses and theaters, through South Africa, to Carnegie Hall in New York.

Blending Mediterranean and Balkan influences, Tamara has developed a unique, fierce sound that reflects her deep connection to these cultures and their languages. She has worked with many renowned musicians and producers, shaping an unwavering vocal style that bridges tradition and modernity through an acoustic and intimate setting.

In February 2022, she released her debut album Transibérica with Sony Music Entertainment Portugal.

Tamara’s second studio album, Kuća, is set to be released in March 2025.

Frank London’s Klezmer Brass

Led by trumpeter Frank London, the Klezmer Brass Allstars are comprised of members of the world’s leading klezmer bands. Combining their knowledge, talents, and decades of research into the traditional roots of klezmer, together they set out to capture the sound and ethos of the raucous, earthy old-country klezmorim of the 19th century. The dance tunes of the old masters—the bulgars, freylekhs, and khosidls, as well as doynes, horas, waltzes, and a beat they referred to as “the Oriental”—form the core of the klezmer repertoire; the furious tempi at which they were played is said to have inspired frenzied dancing that defied description. Frank and the Allstars have apparently succeeded in their mission, delivering performances described by one critic as “a frenzied eruption of klezmer … like a street party to which everyone’s invited, it quickly gets hot, sweaty, and dizzyingly intense.”